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Chapter 23: The Fascination of What's Difficult

Jacoba undergoes her mastectomy and chemotherapy. While at the hospital, she has two visions. She wants to die, and it takes the entire circle to sustain her while she's undergoing chemotherapy. After meeting her deceased husband in another vision, she decides that she will live.

  • The title is the first line of a poem by my favorite modern poet, William Butler Yeats (1865–1939). The original title of this novel was also from a poem by Yeats: “The land of fairy, where nobody gets old and godly and grave….” This was obviously too long to be a good title.
  • Not even the wisest physicians or researchers seem to understand why anyone gets cancer. They know how, but not why. Genes mutate, cells go crazy, it happens. The information on breast cancer and treatment were reviewed and corrected by an M.D. who is a friend of mine. My first literary agent is a breast cancer survivor and was in fact handling The Breast Cancer Companion by Kathy LaTour when I was writing this novel. I used some information from LaTour’s book.
  • Dr. Gollum (ironically named after the critter in Lord of the Rings) is another example of the indifferent medical care that elderly women may receive, whereas Drs. Lin and Melton show that most physicians do care. My purpose is not doctor-bashing, but I’ve seen both kinds of care. Like Jacoba, I underwent surgery at the St. Mary Medical Center. It’s an excellent hospital.
  • The Golden Voyage is beautiful New Age music composed by Robert Bearns. It was very popular.
  • Jacoba’s first vision in the hospital is based on a photo I once saw of author Deena Metzger, a breast cancer survivor who had a tattooed tree on her scar.
  • Jacoba’s second vision, the Black Goddess, echoes that goddess’s earlier appearances. I saw the same goddess myself when I was hospitalized in 1992 after a day-long asthma attack. I later wrote about this apparition for SageWoman magazine.
  • R’Becca was a friend of mine who died of stomach cancer. Rosalie was another friend who died of metastasized lung cancer. Other references are also to real people, though I’ve changed most of their names.
  • Verlea’s healing skills were shown in chapter 13. Here we learn that simply saying the word “cancer” out loud is an opening to Jacoba’s healing process. So is looking at the scar, especially when Jacoba sees that she does not have a big hole in her chest where her breast used to be.
  • I have met people who sincerely believe that we bring diseases like cancer and AIDS into our lives to learn lessons. When I was an AIDS volunteer, I saw people dying of diseases no human being should ever suffer. (In my novel Quicksilver Moon, a major character is a woman living with AIDS.) Are these diseases and other catastrophes a negative manifestation of the popular so-called Law of Attraction? Lessons we should learn? I don’t think so. One of my first AIDS buddies died in 1987 or ’88 at St. Jude Hospital in Fullerton. They took the best care of him they could, but in those days, AIDS was an almost instant death sentence. I don’t even remember how many friends I lost to AIDS. Another close friend died of Lou Gehrig's Disease. It was awful, too.
  • Honest and fair, etc. Quoted from the Girl Scout and Boy Scout Laws. Jacoba kind of overdoes it here, but then she’s never said anything complimentary about herself before. All of her children must have been Scouts.
  • Try the healing circle where you give thanks the next time a friend of yours is ill. If you haven’t seen Rent yet, this is the time—there’s “No Day But Today.” (I think I've seen it five times, plus I own the DVD of the movie and another DVD of the closing night on Broadway.)
  • The chess game in Jacoba’s vision/dream recalls the game played by Miranda and Ferdinand in Shakespeare’s The Tempest, a play about magic. Dermot, Jacoba’s dead husband, was a professor of English Renaissance literature (my own Ph.D. major), which makes his appearance in Elizabethan costume “realistic.”
  • The two quatrains are from “The Passionate Shepherd to his Love” by Christopher Marlowe and “The Nymph’s Reply to the Passionate Shepherd” by Sir Walter Raleigh.
  • Lorenzo’s speech, which Dermot recites, is from The Merchant of Venice, Act V, scene 1. Its metaphysical meaning, explained in the story, is widely recognized.
Discussion questions:
  1. How many friends do you have who are survivors of breast cancer or other cancers? How did they—and you—cope with the effects of the surgery? The chemotherapy? Issues of body image? Fear that the cancer will come back? That every little ache or pain is the cancer coming back?
  2. Have you ever had to deal with the issue of blaming the victim? What is your opinion of this tactic? How does the Law of Attraction work? Do we really bring things, good and bad, into our lives? On purpose?
  3. How does the symbolism of the chess game work in this chapter? Hint: Chess is symbolic warfare.

Copyright © 2011 by Barbara Ardinger, Ph.D. All rights reserved. Permission granted to print this page of the Secret Lives Reader’s Guide for personal use only.